Quebec needs a Quiet Revolution 2.0

It was one night in 2020. I was sleeping peacefully, in contrast to many restless nights in that first year of COVID-19. I should tell you that I was born in the same year Daniel Belanger’s first album, Les Insomniaques s’amusent, was released. I don’t know why, but around one or two in the morning I opened my eyes. I got up and looked at my cell phone, which was in silent mode.

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