It was one night in 2020. I was sleeping peacefully, in contrast to many restless nights in that first year of COVID-19. I should tell you that I was born in the same year Daniel Belanger’s first album, Les Insomniaques s’amusent, was released. I don’t know why, but around one or two in the morning I opened my eyes. I got up and looked at my cell phone, which was in silent mode.
Documents newly obtained by PressProgress show Telus farmed out its government contract to a debt-collection agency